Saturday, 13 January 2018

Hammer & Tongue and a Mini Scottish Tour


This week I’ve travelled the length of the country for various poetry-based adventures; from London to Glasgow to Aberdeen and back again!

Honestly, I’ve frequented so many train platforms and eaten at so many motorway service stations this week, I reckon I’m about 60% Ginsters right now.

The glamour! (Source)

My 2018 poetry Odyssey started on Saturday, when I swooped (swope?) down to London town to take part in the National Final of the Hammer and Tongue Slam.

Hammer and Tongue is the UK’s biggest and most diverse spoken word poetry competition, and previous winners include huge poetry stars like Solomon O.B, Leyla Josephine, Vanessa Kisuule, Stephen Morrison Burke and Adam Kammerling.

Oh, and they also hold the finals in the ROYAL ALBERT HALL, so you know, no pressure or anything!

The Venue

This year, forty-one poets from across the country competed, all vying for the coveted title of UK Slam Champion, and the talent and diversity of poetry on display was completely breath-taking!

The winner, Usaama Minhas, is a huge creative force, a monumentally great poet and a lovely chap too, so the judges were definitely right to crown him champion for 2018.

For my part, I managed to get through to the third round of the competition – waaaaay further than I ever imagined – and I was genuinely thrilled. I suspect the support of my lovely friends Fi, Carla and Cat was the main catalyst in propelling me through the competition. (Thanks ladies!)

On stage making weird hand gestures: standard

had a great time catching up with old poetry friends, cheering on the performers that I love and discovering new voices that made me laugh, cry, whoop and cheer.

But next year, I’m coming back, and this time, I’m going to win!

What a poser!

Then, on Tuesday, I toddled up to Scotland to do some poetry at Inn Deep, a cosy little bar in Glasgow’s fashionable West End. I met the very lovely and talented Shaun Moore, who took me under his wing and got me a slot at the microphone. The event was crowded, with a really warm and friendly atmosphere, and a great mix of performers too.

Glaswegians have this excellent way of talking about heavy subject matter with a wry wit that is completely beguiling, and although the poets who performed were all very different, it was this underlying sense of playfulness that really stood out to me. Lots of sweary poems too, which I am very much in favour of!

Then, on Wednesday, I drove even further north to Aberdeen for my first feature art of the year, at an event called Speakin’ Weird, a relatively new night in the city. Hosted by the irrepressible Sparklechops (one-time Nottingham-based poet Orla Shortall) Speakin’ Weird had a really nice friendly vibe, with a young audience and a diverse range of performances on the open mic.

My set went down really well, and I was pleased to have the time to talk to loads of people after the event too. It was really nice to talk to performers about their open mic poems and chat the audience members about poetry and the scene in Aberdeen. I also managed to sell eighteen poetry pamphlets during the night – a new world record (for me anyway).

Performing in Aberdeen (Image: Julian Maunder, Spud 'n' Duck Photography)

Speakin’ Weird was a joyful event, and definitely the best poetry night I’ve been to in a while. I’d definitely recommend it if you’re ever up in Aberdeen. (Although the eight-hour drive home was not quite so wonderful!)

Next week I’ll be on the radio talking to presenter Alan Clifford about my poetry (catch us on BBC Radio Nottingham on Tuesday 16th January from 2:30pm) and I’ll also be doing a featured set at Poetry Swaps at the Stamford Arts Centre in Lincolnshire on Wednesday 17th Jan. Finally, I’m going to be supporting Nottingham’s Young Poet Laureate, Georgina Wilding, for her feature performance at Hit the Ode in Birmingham – and it’s going to be brilliant!

At some point, I’ll also need to finish my tax return, but shhh!

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